Set in a Maine fishing town called Easter Cove, Blow the Man Down follows two sisters (played by Sophie Lowe and Morgan Saylor) who accidentally commit a crime and discover the dark past of the town during the cover up. Blow the Man Down is the rare example when that’s not the case. The duo’s films are so specific and so tonally unique that their imitators often feel more like bad karaoke than clever reinvention.
Saying something is inspired by the Coen Brothers is usually a backhanded compliment. Along with vibrant wardrobes, the women of Black is King don elaborate natural hairstyles - in varying parts of the film, Beyoncé wears 30 feet of towering box braids as she stands atop a ladder, while in a later scene, Himba women have their hair covered with red clay.īlack Is King is streaming on Disney Plus. The statuesque posing of women throughout the film also frames them as an honorable, royal council upholding Black lineage.
#Films 2020 skin
For “Brown Skin Girl,” Beyoncé revamps the visuals from intimate home videos to an African debutante ball with appearances from her eldest daughter, Blue Ivy, Naomi Campbell, Lupita Nyong’o and former Destiny’s Child groupmate Kelly Rowland. Tierra Whack, Jessie Reyez, Tiwa Savage, and more segue from their work on The Lion King: The Gift into the new film. Having progressed into Black feminist activism since the release of BEYONCÉ, the singer makes room for female collaborators, friends, and family in Black Is King. Here’s a snippet from our review at the time: The music, choreography, and costuming would be enough to make the 85-minute film swirl, but as Jaelani Turner-Williams examined in her write-up at the time of release last summer, the film is filled with potent ideas about Black life and Beyoncé’s own art tucked into all the nooks and crannies if you know where to look. On the experimental, sumptuous wavelength of Lemonade, Beyoncé’s Black Is King is the best remake of The Lion King that Disney has ever made (mostly because the literal one stiiiinnnnnks). It’s hard to imagine a Beyoncé visual album could qualify as “lost,” but such was the power of 2020.
#Films 2020 plus
Image: Parkwood Entertainment/Disney Plus From Kitty Green’s The Assistant to David Prior’s The Empty Man, to Miranda July’s Kajillionaire and Steve McQueen’s Small Axe anthology, here are the newer movies that most deserve their due. With that in mind, and now halfway through 2021 proper, we’ve created a list of the films we felt warrant a much deserved reappraisal - the “lost” films of 2020. Tenet was far from the only film whose moment in the spotlight was undermined in the wake of the pandemic.
#Films 2020 movie
The rollout looks quaint compared to the new normal, in which a movie like A Quiet Place Part II hits theaters in May then appears on Paramount Plus in July. There were lofty attempts to return things to normal in September 2020, Christopher Nolan bet big in the face of the pandemic and pushed ahead with the release of his science fiction action thriller Tenet, a decision which resulted in a deflated box office and the film’s subsequent release on home video just a few months later. Theaters and multiplex chains across the world shuttered their doors and the result was a release schedule thrown into a tailspin and an industry scrambling to program streaming platforms. The COVID-19 pandemic disrupted every sector of life, including the simple pleasure of watching. To describe 2020 as one of the most tumultuous and unconventional years in recent memory feels like a gross understatement.
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